The Journal
Long-form essays on London's occult, mystical and secret-society heritage — written by working historians, not content writers. Published quarterly by Esoteric London since 2014.
Founding editors: Dr. Helena Marsh & the Esoteric London research desk. Subscriber-supported. No sponsored content.
From the Current Issue
Four essays from the autumn folio, each drawn from our working archive of 612 catalogued esoteric sites across Greater London.
The Ledger of Bleeding Heart Yard
What a Coptic manuscript acquired in 1987 reveals about the alchemical society that convened above a Hatton Garden silversmith between the wars — and why its membership rolls name three sitting Members of Parliament.
Walking Chancery Lane at the Witching Hour
A close reading of the 1736 depositions held at the Public Record Office, in which four clerks of the Court of Chancery describe, in near-identical language, a figure seen passing beneath the bookshops of Carey Street.
The Astrolabe in the Ashmolean Window
On the recently conserved Tudor instrument bequeathed to the Museum of London in 1931, and the engraver's mark that links it to a workshop in Lothbury known to have supplied John Dee.
A Doorway in Clerkenwell You Have Walked Past
The carved lintel above our own offices at Bleeding Heart Yard carries inscriptions older than the courtyard itself. A short essay on what the City of London's 1841 surveyors chose not to record.
From "The Ledger of Bleeding Heart Yard"
The manuscript came to us in a manila envelope forwarded from the estate of a retired solicitor in Cheltenham, who had himself received it from a colleague at Lincoln's Inn who could not, courteously, remember from whom. It is forty-two folios, eighteenth-century paper, bound in a calfskin cover that has been re-backed at least twice. It does not name itself. For working purposes we call it Bleeding Heart MS. 42.
What is unusual is not what it contains — a copy of the Rosarium Philosophorum in a fairly ordinary Latin hand, a handful of alchemical symbols drawn with the careful incompetence of an educated amateur — but the colophon. It is dated, unambiguously, to the autumn of 1934, and is signed by three men whose names appear, in identical form, in the contemporary membership rolls of the Athenaeum, the Reform, and one of the City livery companies that no longer admits candidates.
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